<p>The Louis St. Gaudens House and Studio was a historic house at Dingleton Hill and Whitten Roads in Cornish, New Hampshire. The -story gambrel-roofed wood-frame structure was designed by Moses Johnson and built in 1793–94 at the Shaker village in Enfield, New Hampshire. At that site the building served as the main meeting space for the Shakers, with a main meeting space on the ground floor, offices on the second floor, and guest living quarters in the attic space. The building was similar in construction to buildings designed by Johnson for the Shaker villages in Canterbury, New Hampshire and Sabbathday Lake, Maine.</p><br>
<p>The Shakers stopped using the building in 1893, and sold it in 1902 to sculptors Louis St. Gaudens and Annetta Johnson Saint-Gaudens. The St. Gaudens had the building disassembled and moved to its present location, making a number of alterations to it in the process. Due to rot in some framing members, the building was shortened by 8 ft, and a porch was cut into one side. One of the two main entrance doors was relocated to the side of the building, and dormers were added to enlarge the attic space. The lower floors were divided into a living space (living room below, bedrooms above) and a two-story studio space. A -story ell was added in 1904.</p><br>
<p>In addition to the sculptural studio, Annetta and her son, Paul, operated a pottery kiln, known as "Orchard Kiln" on the property.</p><br>
<p>St. Gaudens was brother to Augustus St. Gaudens, who was a leading figure in the Cornish Art Colony that flourished in the early 20th century, and whose own Cornish property is now a National Historic Site and National Historic Landmark. This property was occupied by St. Gaudens and his wife until their deaths in the 1950s, and then by their son Paul, a potter.</p><br>
<p>The house was listed on the National Register of Historic Places in 1972. It was destroyed by fire in 1980.</p><br>
<p>Unity Town Hall is the town hall of Unity, New Hampshire. It is located in the center of Unity, on the 2nd New Hampshire Turnpike just north of its junction with Center Road. Built in 1831 as a Baptist church, it is a well-preserved example of transitional Federal-Greek Revival styling. The building was listed on the National Register of Historic Places in 1985.</p><br>
<h2>Description and history</h2><br>
<p>Unitys town hall is located in its rural village center, on the west side of the 2nd New Hampshire Turnpike just north of Center Road. It is a single-story wood-frame structure, with a gabled roof and clapboarded exterior. It has modest Greek Revival styling, with plain cornerboards and a cornice with decorative molding. An entry pavilion projects from the main block, echoing its decorative features, and there is a two-stage tower with an open belfry. The two entrances are topped by Federal-style fanlights, and there is a half-eye window in the pavilions gable. The tower&#39;s first stage has louvered openings with half-round fanlight tops, and is itself crowned by a low balustrade with urned posts. The belfry, with arched openings, is crowned by a similar but smaller balustrade, which surround a cupola and weathervane.</p><br>
<p>The structure was built in 1831 as a church for the local Baptist congregation which was organized in 1794. Although its builder is unknown, the building&#39;s design is strongly influenced by the work of Elias Carter, a builder responsible for a number of period churches further south. The Baptists sold the church to the town in 1877.</p><br>
<p>The Washington Common Historic District encompasses a cluster of three civic buildings and the town common in the center of Washington, New Hampshire. The town common began as a 2 acre parcel acquired in 1787, and the current town hall followed in 1789. It is a two-story wood-frame building which originally served as both a civic and religious meeting house. The adjacent Gothic Revival Congregational Church was built in 1840. The third structure is the Schoolhouse, a -story two-room school built in 1883. The district was listed on the National Register of Historic Places in 1986.</p><br>
<h2>Buildings</h2><br>
<p>Washington&#39;s town common is a two-acre parcel purchased from a local farmer in 1787. It is located at the junction of New Hampshire Route 31 and Half Moon Pond Road, and is a roughly oval grassy area, fringed on the north by the gravel access road for the public buildings that line its north side. On the right is the town hall, a rectangular two-story gable-roofed structure. When built, its main entrance was on the long side facing the common, and there was no tower. The tower projects from the west facade, rising as a square above the main ridge, with two open octagonal stages capped by a bell-shaped cupola above. The tower was added in 1820, and in 1843 the gallery space was converted into a full second story. Despite these changes, elements of the original galleries and box pews survive. It is believed to be one of the oldest meeting houses in the state to still be in active civic use.</p><br>
<p>To the left of the town hall stands the school, with its gable end facing the common. There are two entrances on the front facade, set near the building corners. A small belfry with shallow pyramidal roof rises above the main roof ridge. The school was built as a one-room schoolhouse, with the upper floor used for a variety of other purposes before c. 1960, when it was turned into a second classroom. An ell extends to the rear, providing space for modern plumbing and heating.</p><br>
<p>The Congregational church stands at the left (west) end of the assemblage. Its principal Gothic features are the fan in the front gable, and the pointed-arch openings in the belfry of the tower. The pyramidal pinnacles found at the tower corners are also a Gothic feature.</p><br>
<p>The common was historically lined with a larger number of buildings, but a major fire in 1830 destroyed 21 buildings and damaged the meeting house.</p><br>
<p>La Morada de Nuestra Senora de Guadalupe, also known as Taos Morada, is a holy site and past home of La Fraternidad Piadosa de Nuestro Padre Jesús Nazareno in Taos, New Mexico. The Penitent Brothers, or the Hermanos Penitentes used the Morado for religious study of ancient Catholic lay religious practices.</p><br>
<h2>History</h2><br>
<p>Land was granted for Taos Morada and the Calvario in 1797 to 1798 by the religious and administrative officials of the Taos Pueblo. The property was to be used by Hermanos for religious purposes. Taos Morada was fully completed in 1834 and was led by Padre Antonio José Martínez. From the 1800s it was a center of Hermanos&#39; religious activity, based upon practices that originated in Spain.</p><br>
<p>By the 1970s there were only a few remaining Hermanos. In 1977 Taos Morada was sold to the Kit Carson Memorial Foundation against the wishes of Taos clergy, parishioners and Hermanos.</p><br>
<p>It was listed on the National Register of Historic Places and received monies from the National Park Service, the state Historic Preservation Office, and CETA funds for the restoration of Taos Morada to its state during the mid-19th century. The restoration, though, did not allow for religious devotions by Hermanos. In 2005 the museum board agreed to sanction certain devotional exercises, which began April 11, 2006 during Holy Week for Hermanos from Northern New Mexico Moradas. In or after 2008, the Morada became the property of the Catholic Our Lady of Guadalupe Church in Taos and the Archdiocese of Santa Fe. In 2010 a statement by an archbishop claimed that no Hermanos services would be held until he consecrated it.</p><br>
<p>In 2013 it was reported that the grounds are open to the public, but the building interior is private.</p><br>
<p>The Henderson National Bank building is a historic bank building in Huntsville, Alabama. One of the only Art Moderne style buildings in Huntsville, the bank was built in 1948. The outer walls are constructed of large blocks of ashlar, while the base and entrance surround on the Jefferson Street façade are lined with dark green stone. The recessed double doors sit below a tall, multi-pane toplight. The entry is flanked by tall, multi-pane windows, giving the façade a much more vertical orientation than the early 20th-century commercial brick style. The upper portion is inscribed with two geometric flower shapes in relief and the name of the bank. The corner wall is rounded, leading to more tall windows along the side. A drive-up teller window was added to the rear of the building in 1958, which is faced with light tan brick.</p><br>
<p>The building was listed on the National Register of Historic Places in 1980.</p><br>
<p>The Hundley House is a historic residence in Huntsville, Alabama. The house was built in 1900 by Oscar Richard Hundley, a lawyer who served as City Attorney, State Representative, State Senator, and was appointed a judge to the United States District Court for the Northern District of Alabama. Soon after, he built three rental houses, two directly behind his house and one a block away. Hundley left Huntsville for Birmingham in 1909 and the house was later used as a funeral home and offices.</p><br>
<p>The house was one of the last large houses built in close proximity to Courthouse Square. It is based on the Queen Anne style, but features Colonial Revival and Shingle Style details. The front façade has a round bay on one corner and full-width porch below a large gambrel gable. The steeply pitched hipped roof is covered in red-painted metal with numerous protruding gabled bays and dormers. The ground floor is clad with clapboards and the second floor with square shakes.</p><br>
<p>The house was listed on the National Register of Historic Places in 1978.</p><br>
<p>The Fisher–Chapman Farmstead is a historic farm located at 24818 Homeridge Dr. north of Jerseyville, Illinois. Cornelius B. Fisher, a New Jerseyan who began farming in Jersey County in 1838, established the farm and built its Italianate farmhouse in 1867. The farmhouses characteristic Italianate features include its central belvedere, its hipped roofs wide eaves with paired brackets, and its tall, narrow windows with arched lintels. State senator Theodore S. Chapman purchased the farm in 1891 and renamed it Homeridge; the Chapman family ran the farm until 1960. The farm is a well-preserved representative of a working farm, and two of its contributing buildings once housed hired farm workers. In addition, the farm&#39;s production in the 20th century reflected statewide agricultural trends towards grain farming rather than livestock farming.</p><br>
<p>The farm was added to the National Register of Historic Places on February 15, 2012.</p><br>
<p>The Mark Wentworth House, also known as the Gov. John Wentworth House, is a historic house at 346 Pleasant Street in Portsmouth, New Hampshire, United States. Built in 1763, it is notable for its fine Georgian finishes, and for its associations with leading political and economic figures of 18th and 19th-century Portsmouth. The house was listed on the National Register of Historic Places in 1973. It has since the early 20th century been part of a senior care complex.</p><br>
<h2>Description and history</h2><br>
<p>The Mark Wentworth House stands southeast of downtown Portsmouth, on the south side of Pleasant Street at Wentworth Street. The house is oriented facing north to the street, and is extended southward to the South Mill Pond by a large modern addition that houses the bulk of the senior care facilities. The house is stories in height, with a hip roof and clapboarded exterior. The building corners have wooden quoins, and the cornice is lined with modillion blocks. The main facade is five bays wide, with symmetrical arrangement. The entrance at the center is topped by a half-round transom window, and is sheltered by a Federal-period portico with a modillioned cornice and hip roof surrounded by a low balustrade. The interior of the house continues the high quality wooden finishes.</p><br>
<p>The mansion was built in 1763 by Henry Appleton, a merchant, who sold it to Mark Hunking Wentworth, one of New Hampshires wealthiest merchants and landowners, the following year. Wentworths son John was appointed Royal Governor of New Hampshire in 1767, and occupied the house from then until his departure on the eve of the American Revolutionary War in 1775. Mark Wentworth maintained ownership of the house during the first part of this period, and transferred the property to his daughter Anna Fisher in 1770. It was sold out of the Wentworth family in 1797, and repurchased by Ebenezer Wentworth in 1810. In the early 1900s Wentworth descendants adapted the property for use as an elder care facility, a role it continues to serve today.</p><br>
<p>The Whidden-Ward House is a historic house at 411 High Street in Portsmouth, New Hampshire. Probably built in the late 1720s, it is a well-preserved example of Georgian architecture. The house was added to the National Register of Historic Places in 1972.</p><br>
<h2>Description and history</h2><br>
<p>The Whidden Ward House is located on the southwest side of High Street, southeast of its junction with Deer Street. It is located in an area known as The Hill, a cluster of historic properties south of Deer Street which was created as part of a road widening project. It is a -story L-shaped wood-frame structure, with a gabled and hipped roof and clapboarded exterior. A single brick chimney is located at one end. Its main facade is five bays wide, with a center entrance flanked by pilasters and topped by a four-light transom and a pedimented gable. The first-floor windows are topped by gables. The interior has a particularly fine carved Georgian staircase, with an arched window at the landing.</p><br>
<p>The house is thought to have been built in the early 1720s by Michael Whidden, a joiner, and was originally located on Deer Street, an area that was platted for development in 1712. After his death in 1773 the house was purchased by Nathum Ward, who extensively renovated the property, giving it most of its surviving late-Georgian appearance. The only major addition to the house was a 19th-century leanto extension to the rear. The building was moved to its present location in the 1970s, and is now in commercial use.</p><br>
<p>Greenville Gas and Electric Light Company, also known as Duke Power Steam Plant, is a historic power plant located at Greenville, South Carolina. The two brick vernacular Victorian style buildings were built about 1890. The larger building served as a coal-fueled, steam-powered electric generating plant, and is a one-story, rectangular building with round arched window and door openings. The second building is a two-story rectangular building originally used as offices for the power company. They were originally owned and operated by the Greenville Gas and Electric Light and Power Company, then sold in 1910, to a company that later evolved into Duke Power Company.</p><br>
<p>It was added to the National Register of Historic Places in 1982.</p><br>
<p>Chamber of Commerce Building, also known as the North Greenville College Building, is a historic office building located at Greenville, South Carolina. It was built in 1925, and is a ten-story rectangular brick sheathed steel frame building. The Chicago School style skyscraper consists of a two-story base with Neoclassical detailing, a seven-story shaft, and a roof story that features tall arched windows and a brick and stone frieze with transoms and stone panels.</p><br>
<p>It was added to the National Register of Historic Places in 1982.</p><br>
<p>The Terry Hutchens Building is a historic office and apartment building in Huntsville, Alabama. The seven-story structure was originally constructed in 1925 for the Tennessee Valley Bank, with office space rented to other tenants. In 2002, the upper floors were renovated into condominiums. The structure is of steel reinforced concrete faced with brick, giving a Gothic Revival appearance. The ground floor façade has large display windows separated by brick piers, and has a central, arched entry covered in masonry. The Jefferson Street façade was originally treated the same way, but was modified with a flat wall of thin brick above two storefront entrances. A decorative band with rowlock course brick and terra cotta panels separate the ground floor from the rest of the building. Above, the piers divide each bay containing a pair of one-over-one sash windows; on the seventh floor, a green terra cotta frog sits on the sill, between the windows. Each bay of the cornice is divided by terra cotta decorated with Gothic shapes and medallions on panels of brick. The building was listed on the National Register of Historic Places in 1980.</p><br>
<p>The Hundley Rental Houses are historic residences in Huntsville, Alabama. The houses were built by Oscar Richard Hundley, a prominent local judge and politician. Hundley built the two houses behind his own, along with a third one block away, in 1905. The houses all represent the transition from Victorian styles popular in the late 19th century to Colonial Revival styles of the early 20th century. A fire damaged the house at 400 Franklin Street in 1909, and a rear addition was likely added at this time. Hundley sold his own house the same year, and sold 400 Franklin in 1912 and 108 Gates Avenue in 1918. The houses are in use today as offices.</p><br>
<p>108 Gates, also known as the Hundley-Van Valkenburgh House, is a two-story house with strong Victorian influences. The main roof is a Dutch gable, with the gable projecting over a chamfered bay. Both floors of the chamfered bay have a small, multi-light window, while all other windows on the house are one-over-one sashes.</p><br>
<p>400 Franklin, also known as the Hundley-Clark House, is a two-story Dutch Colonial Revival structure, with the second floor featuring large gambrel gables. Both houses have similar full-width, one story porches, supported by plain wooden columns with tapered capitals. The houses also have similar front doors, with a transom and sidelights with diamond-shaped panes, although 108 Gates lacks the sidelights.</p><br>
<p>The houses were listed on the National Register of Historic Places in 1980.</p><br>
<p>Working Benevolent Temple and Professional Building is a historic office building located at Greenville, South Carolina. It was built in 1922, and is a three-story, steel frame brick building. The building housed offices for African-American doctors, lawyers, dentists, a newspaper, and insurance firms and housed the first black mortuary in Greenville. The temple was also the center for Greenville&#39;s civil rights activities during the 1960s.</p><br>
<p>It was added to the National Register of Historic Places in 1982.</p><br>
<p>Imperial Hotel, currently known as Greenville Summit, is a historic hotel building located at Greenville, South Carolina. It was built in 1911–1912, and is a seven-story, U-shaped skyscraper with a buff-colored brick veneer over a steel frame. It was originally a 90-room hotel, and expanded by 1930 to 250 rooms. The hotel closed in the early 1970s, but this establishment is still used as a nursing home for low income and disabled people 55 and over. An adjacent parking garage was demolished in the 1980s.</p><br>
<p>It was added to the National Register of Historic Places in 1982.</p><br>
<p>New owners of the building plan extensive building renovations in 2019 and expansion in 2024.</p><br>
<p>First National Bank, also known as Carolina First Bank, is a historic bank building located at Greenville, South Carolina. Designed by architect Silas L. Trowbridge of Atlanta, Georgia, it was built in 1938, and is a 2 1/2-story, sandstone sheathed steel frame Art Deco building. The building was enlarged in 1952. The building features a polished black granite door frame and base, a geometric-patterned cornice and a frieze band, stylized sunburst aluminum grill work, and fluted aluminum pilasters topped with stylized aluminum eagles.</p><br>
<p>It was added to the National Register of Historic Places in 1989. It currently houses a branch of TD Bank, N.A., which merged with Carolina First Bank in 2010.</p><br>
<p>Greenville County Courthouse, also known as Greenville Family Courts Building, is a historic courthouse located at Greenville, South Carolina. It was built in 1918, and is a Beaux-Arts style brick and concrete building with terra cotta trim. The building consists of a three-story front section, with an eight-story tower behind. The building served as the courthouse for Greenville County until 1950 when the court was moved to a new building. The Family Court of Greenville County was located then in the building and remained there until 1991.</p><br>
<p>It was added to the National Register of Historic Places in 1994.</p><br>
<p>Parker High School Auditorium is a historic high school auditorium located at Greenville, South Carolina. It was built in 1938 with funding provided by the Works Progress Administration. It is a Classical Revival style 7500 square foot rectangular brick building with a front gabled roof. It is the last remaining building from the largest WPA school project in South Carolina.</p><br>
<p>It was added to the National Register of Historic Places in 1996.</p><br>
<p>Carolina Supply Company is a historic commercial building located at Greenville, South Carolina. It was built in 1914, and is a four-story, brick building in a utilitarian Renaissance Revival style. The building housed a textile and industrial supply company that supplied mills with equipment and supplies. The building now houses Wells Fargo Bank.</p><br>
<p>It was added to the National Register of Historic Places in 1997.</p><br>
<p>Gilfillin and Houston Building also known as Greenville Bakery and Greenville Auto Sales, is a historic commercial building located at Greenville, South Carolina. It was built in 1915, and is a two-story, brick commercial block. The building&#39;s façade is organized into two storefront sections and features a curvilinear brick gable and parapet embellished with a central, circular, limestone-keyed and brick-surrounded cartouche containing the letters "G" and "H" intertwined.</p><br>
<p>It was added to the National Register of Historic Places in 2004.</p><br>
<p>Brushy Creek, also known as Vardry McBee House and Alexander McBee House, is a historic home located at Greenville, South Carolina. It was built about 1836 as a -story, frame farmhouse. In 1924, the house was expanded with the addition of a one-story frame room that incorporated the formerly separate kitchen into the house itself. Further renovations were made in 1938–1939 and 1951. Also on the property are a log barn, a brick shed, a well house, and the ruins of a grist mill. It was the home of Vardry McBee , prominent 19th-century businessman, entrepreneur, and delegate to the Secession Convention of Greenville District, known as the “Father of Greenville,” and his son Alexander McBee , prominent 19th-century businessman, banker, and state representative of Greenville District.</p><br>
<p>It was added to the National Register of Historic Places in 1999.</p><br>
<p>Richland Cemetery is a historic African-American cemetery located at Greenville, South Carolina. It was established in 1884 by the City of Greenville as the first municipal "colored" cemetery. It is the final resting place for many of Greenville&#39;s most notable African-American educators, health practitioners, and community leaders. The total number of graves is estimated at over 1,400 and gravemarker types and materials range from natural stones to elaborate Victorian monuments.</p><br>
<p>It was added to the National Register of Historic Places in 2005.</p><br>
<p>The Cornet Thomas Wiggin House is a historic house at 249 Portsmouth Avenue  in Stratham, New Hampshire. Probably built in the 1770s, it is a remarkably little-altered example of vernacular Federal period architecture. It was listed on the National Register of Historic Places in 1983.</p><br>
<h2>Description and history</h2><br>
<p>The Cornet Thomas Wiggin House is located north of the town center of Stratham, on the north side of Portsmouth Avenue at its junction with Depot Road. It is a -story wood-frame structure, with a side-gable roof, two interior brick chimneys, and a clapboarded exterior. The main facade is five bays wide, with a symmetrical arrangement of windows around a center entrance. The entrance includes an original wide six-panel door, flanked by tapered flat pilasters, which rise to a transom window and corniced entablature. This surround is believed to date to about 1830, when other alterations were made to the building. A two-story ell extends to the left, and a single-story ell extends to the rear, projecting slightly to the right side.</p><br>
<p>The house was built c. 1775, although it was apparently not completed until the 1790s, after the death of Thomas Wiggin and the resolution of legal disputes concerning his estate. The interior is thought to have been finished by Nathan Barker, Wiggin&#39;s son-in-law and eventual purchaser of the property. The house is a well-preserved example of vernacular Federal architecture, and the property includes a barn that is believed to date to the same period.</p><br>
<p>The Woodman Road Historic District of South Hampton, New Hampshire, is a small rural residential historic district consisting of two houses on either side of Woodman Road, a short way north of the state line between New Hampshire and Massachusetts. The Cornwell House, on the west side of the road, is a Greek Revival wood-frame house built c. 1850. Nearly opposite stands the c. 1830 Verge or Woodman House, which is known to have been used as a meeting place for a congregation of Free Will Baptists between 1830 and 1849.</p><br>
<p>The district was listed on the National Register of Historic Places in 1983.</p><br>
<h2>Cornwell House</h2><br>
<p>The Cornwell House is a -story wood-frame structure, set on a rise overlooking the road. It has a front-facing gable roof and clapboarded exterior. Its main facade is three bays wide, with the entrance set in a recess in the right bay. The building corners are pilastered, and the roof gable exhibits paired Italianate brackets. A three-season porch is set on the right side, and a pair of ells extend to the rear, connecting to a modern garage.</p><br>
<h2>Verge House</h2><br>
<p>The Verge House is also a -story wood-frame structure, and is set facing south nearer the road than the Cornwell House. It is three bays wide, with a side-gable roof and shingled exterior. A single-story shed-roof section projects along the width of the main facade, with the entrance recessed under a porch in the leftmost section. A -story ell extends to the east, and the property also includes a 19th-century barn and 25 acre of former farmland.</p><br>
<p>The Las Vegas Plaza is a plaza and historic district in Las Vegas, New Mexico. The plaza was originally laid out in 1835 by Mexican settlers and is surrounded by a number of historically and architecturally notable buildings. It was listed in the National Register of Historic Places in 1974.</p><br>
<h2>History</h2><br>
<p>Las Vegas was established in 1835 after a group of settlers received a land grant from the Mexican government. The town was laid out in the traditional Spanish Colonial style, with a central plaza surrounded by adobe buildings which could serve as fortifications in case of attack. Las Vegas soon prospered as a stop on the Santa Fe Trail. During the Mexican–American War in 1846, Stephen W. Kearny delivered an address at the plaza from atop what is thought to be the surviving Dice Apartments building, claiming New Mexico for the United States. In 1854, visiting attorney W. W. H. Davis wrote that the plaza "more resembled a muddy field than a public square, and all sorts of four-footed domestic animals were roaming at large over it."</p><br>
<p>Las Vegas prospered with the arrival of the railroad in 1880, and many of the one-story adobe buildings surrounding the plaza were replaced by larger and grander structures like the Italianate style Plaza Hotel and Ilfeld Building. During this period, the plaza itself was cleared of livestock and wagons and converted to a tidy public park with trees, fences, and a bandstand.</p><br>
<h2>Notable buildings</h2><br>
<p>Contributing properties in the Plaza historic district include</p><br>
<p>Plaza Hotel, built 1880</p><br>
<p>Charles Ilfeld Building, built 1882</p><br>
<p>Dice Apartments, the oldest surviving building on the plaza</p><br>
<p>John D. Veeder Building</p><br>
<p>Exchange Hotel, built 1850 (only one wing extant)</p><br>
<p>Romero Mercantile Company Building</p><br>
<p>First National Bank Building, built 1880</p><br>
<p>The Beaumont Hotel is a former railroad hotel constructed in 1879 in Beaumont, Kansas. It originally opened and operated as the "Summit Hotel". It currently operates as a bed and breakfast, RV Park and restaurant.</p><br>
<p>Beginning in the 1940s, local ranchers began using Main Street (also known historically as Third Street) The hotel is a popular destination for small aircraft pilots and motorcycle rallies.</p><br>
<p>The oldest wooden water tower in the United States, the Beaumont St. Louis and San Francisco Railroad Water Tank, is located near the hotel.</p><br>
<p>The Beaumont St. Louis and San Francisco Railroad Retention Pond is a retention pond originally constructed by the St. Louis, Wichita, and Western Railway Company as a supply pond for the Beaumont St. Louis and San Francisco Railroad Water Tank. It served the St. Louis, Wichita & Western Railway, and supplied the water tank, which was used to refill the boilers of steam locomotives on that line. It was added to the National Register of Historic Places in 2011. From the year of construction until about 1955, when the railroad switched to diesel locomotives, this watering station was essential to railroad transportation.</p><br>
<p>The pond is constructed of concrete and metal, and contains a pumphouse with a pump. As the tower was made redundant by the switch to diesel locomotives, the pond and water tank remained vital to the Beaumont community. The pump station was kept active and pipe was laid throughout the town for potable water supply. The tower continued to hold water and was in limited use until 1988.</p><br>
<p>Oaklawn  is a historic residence in Huntsville, Alabama. It was built in 1844 by John Robinson, a longtime revenue commissioner in Madison County who became one of the countys largest landowners. During the Civil War, the house was used by the Union Army as an officers quarters. The family vacated the house in the late 19th century, and during the Spanish–American War, the grounds were used as an army camp and hospital. In 1919, the house was purchased by the Dilworth family and restored from its poor condition. The house was later owned by Max Luther, a prominent local merchant.</p><br>
<p>The Greek Revival house has a five-bay main block with two attached wings to the sides, an unusual layout for the time in Alabama. A portico spans the center three bays, and has four smooth Doric columns supporting a plain entablature and pediment. Pilasters with Doric capitals are present on the corners of both the main block and the wings, as well as terminating the portico. The main block has a gable roof, while the one-story wings have flat roofs with deep cornices forming parapets. There are four interior chimneys in the main block, and one each in the wings. The double entry doors have multi-pane sidelights and a transom. The interior is laid out with a large central hall on both floors, flanked by a pair of rooms on each side. Each wing features one room, with extensions built in the 1920s containing bathrooms. A kitchen was added to the rear in the 1940s.</p><br>
<p>The house was listed on the National Register of Historic Places in 1977.</p><br>
<p>Col. Elias Earle Historic District is a national historic district located at Greenville, South Carolina. It encompasses 74 contributing buildings in a middle-class neighborhood of Greenville. The houses primarily date from about 1915 to 1930, and include Neoclassical, Colonial Revival, Tudor Revival, and bungalow styles. The district was originally part of the estate of Colonel Elias Earle, a prominent early-19th century Greenville citizen. The Earle St.</p><br>
<p>Baptist Church is located in the district.</p><br>
<p>It was added to the National Register of Historic Places in 1982.</p><br>
<p>West End Commercial Historic District is a national historic district located at Greenville, South Carolina. It encompasses 15 contributing buildings in Greenvilles second "downtown." The commercial buildings primarily date from about 1880 to 1920, and include examples of Victorian commercial architecture. Notable buildings include the American Bank, Alliance and Mills & McBayer Cotton Warehouses, Indian River Fruit Store, Petes Place, Bacots West End Drug Store/Stringers Drug, Furman Lunch, and Greer Thompson Building.</p><br>
<p>It was added to the National Register of Historic Places in 1993, with a boundary increase in 1998.</p><br>
<p>East Park Historic District is a national historic district located at Greenville, South Carolina. It encompasses 121 contributing buildings, 1 contributing site, and 3 contributing structures in a middle- / upper-class neighborhood of Greenville. The houses date from about 1908 to 1950, and include Neoclassical, Colonial Revival, Tudor Revival, Victorian, American Foursquare, Prairie Style, and bungalow styles.</p><br>
<p>It was added to the National Register of Historic Places in 2005.</p><br>
<p>E. W. Montgomery Cotton Warehouse, also known as the Greenville Bonded Cotton Warehouse and now the Elements West Apartments, is a historic cotton warehouse located in Greenville, South Carolina. The original section was built about 1928. Following the property&#39;s purchase in 1933 by Edmund Warren Montgomery, a significant cotton merchant and broker in upstate South Carolina from the early-to-mid-20th century, three additions were completed. The two-story, brick building measures 553 feet long and 60 feet deep, and has 68,000 square feet in seven bays.</p><br>
<p>It was added to the National Register of Historic Places in 2012.</p><br>
<p>The Seavey-Robinson House is a historic house built in the Carpenter Gothic style in South Portland, Maine. Built c. 1854–57, it is a rare example of a Carpenter Gothic cottage, originally built in a rural setting, since urbanized. It was added to the National Register of Historic Places in 1986.</p><br>
<h2>Description and history</h2><br>
<p>The Seavey-Robinson House is located in southern South Portland, on the east side of Ocean Street (Maine State Route 77 at the southeastern corner with Spear Avenue. It is a single-story wood-frame structure, with a side gable roof and clapboard siding. The cornice and rake edge of the gable are decorated with delicate vergeboard that has an acorn motif. The main entrance is flanked by pilasters and topped by a gabled cornice with cresting and vergeboard decoration. Windows are topped by bracketed cornices. An open veranda extends across the front, its balustrade also with delicate woodwork.</p><br>
<p>The home is a rare surviving farm cottage is what is now an urban section of South Portland. It was built ca. 1854-1857 by Joseph Seavey, the original owner and a carpenter, and served as a display for his construction abilities. The house was purchased in 1864 by Elipalet Robinson, whose family owned it into the 20th century.</p><br>
<p>Charleston Navy Yard Officers&#39; Quarters Historic District is a national historic district located at the former Charleston Naval Shipyard in North Charleston, South Carolina. It encompasses 24 contributing buildings, 2 contributing sites, 1 contributing structure, and 1 contributing object. The site represents development of the upper echelon of senior military housing, support structures, sports facilities and recreational landscape features from 1901 through 1945. The buildings reflect late Victorian and early-20th century eclectic designs including the Italianate, Neo-Classical, Italian Renaissance Revival, Colonial Revival, and the Works Progress Administration  designed Panama House style.</p><br>
<p>The oldest building on the base are Quarters F, a Victorian house that predates the Navy base and was built as the superintendent&#39;s house for the earlier Chicora Park (that the Navy acquired and converted into the base).</p><br>
<p>It was added to the National Register of Historic Places in 2007.</p><br>
<p>The Belknap-Sulloway Mill, now the Belknap Mill Museum, is a historic mill at 25 Beacon Street East in Laconia, New Hampshire, a city in Belknap County. Built sometime between 1823 and 1828, it is a rare well-preserved example of an early rural textile mill in New England, and was the business around which the city rose. The mill was in active use for the production of textiles until 1969, undergoing some modest alterations as well as the modernization of its power plant. It was opened as a museum in 1991, and was listed on the National Register of Historic Places in 1971.</p><br>
<h2>Description and history</h2><br>
<p>The Belknap-Sulloway Mill is located on the east side of downtown Laconia, between Beacon Street East and the Winnipesaukee River, which historically provided the power for the mill. It is a -story brick structure, with a stepped gable roof that has a band of clerestory windows parallel to the ridge on each side. There are slender chimneys at each end, and a wooden cupola at the center which houses a bell. The north-facing main facade is nine bays wide, with a central rectangular projection housing a staircase. Windows are set in plain rectangular openings. The rear of the building has several smaller single-story brick ells.</p><br>
<p>The first mill to stand at this site was a wood-frame structure built in 1811, when the area was part of Meredith, New Hampshire. That mill burned in 1823, and this building, its replacement, was reported to be in full operation by 1828. The bell in the cupola is believed to be a recasting of the original mill&#39;s bell. Unlike later mills, which used more fire-resistant materials, its interior uses joisted floor construction. Alterations to the structure since its construction include the addition of the door to the stair tower (before 1875) and the ells, which include a c. 1900 addition housing three power turbines.</p><br>
<p>This mill, along with the nearby Busiel-Seeburg Mill, were responsible for the growth of the area (originally known as Meredith Bridge) into what is now Laconia. It remained in active use until 1969, and opened as a museum in 1991.</p><br>
<p>The Belmont Library is the public library of Belmont, New Hampshire. It is located at 146 Main Street, in an architecturally distinguished single-story brick Colonial Revival structure designed by Wells & Hudson and built in 1927-28.</p><br>
<h2>Architecture and history</h2><br>
<p>The Belmont Library is located near the center of the towns village center, at the corner of Main and Mill streets. It is a modest single-story masonry structure, built out of red brick and covered by a gabled slate roof. It has a three-bay front facade, with windows occupying the outer bays and the main entrance the center. The windows are rectangular sash, topped by a keystoned lintel and fronted by a shallow wrought iron balcony. The entrance is sheltered by a narrow portico, which has paired Corinthian columns rising to an entablature and bracketed full pediment. The librarys name appears on the entablature. The entry is set in a round-arch opening, with flanking sidelight windows and a half-round transom window above. The interior has fine decorative woodwork, and is laid out with a central librarian&#39;s desk and flanking reading rooms. The vestibule area and the end fireplaces each project into the space. The basement houses a small auditorium.</p><br>
<p>The library was established in 1893, and was originally located in the second floor of the Hose House (fire station). This building was constructed when the library outgrew that space, and was a gift (along with an operating endowment) of the Duffy brothers, owners of the Belmont Hosiery Company. It is one of the finest examples of Colonial Revival architecture in New Hampshire&#39;s Lakes Region. The building is listed on the National Register of Historic Places.</p><br>
<p>Sewee Mound , also known as the Old Fort, is a historic mound located near Awendaw, South Carolina. It is one of 20 or more prehistoric shell rings located from the central coast of South Carolina to the central coast of Georgia. On average, it measures 149 feet in diameter and stands 10 feet high. The midden is largely composed of oyster shell. A smaller midden is located nearby.</p><br>
<p>It was listed on the National Register of Historic Places in 1970.</p><br>
<p>St. Mark&#39;s Episcopal Church is a historic church complex at 73 Columbia Road in the Dorchester neighborhood of Boston, Massachusetts. The complex consists of three buildings: a chapel, rectory, and parish hall. All three were built between 1904 and 1909, with the last significant alteration to the exterior of the church occurring in 1916. All three buildings were designed by Edmund O. Sylvester, and present a unified architectural statement of Craftsman styling with some English Gothic  detailing. The church complex was listed on the National Register of Historic Places in 2014.</p><br>
<p>The congregation was established as a mission in 1887 after fire destroyed the St. Marys Church on Bowdoin Street on June 15, and a portion of its congregation began to meet in the Grove Hall area of Dorchester. St. Marys Mission carried on until October 31, 1897. An independent mission was organized a week later, which adopted the name "St. Mark&#39;s" on March 13, 1898, and which acquired land on Columbia Road to build a church in early October. The cornerstone for the new church was laid April 25, 1904, and the first service held on September 18. The congregation was formally incorporated as a parish on January 15, 1906.</p><br>
<h2>Leadership</h2><br>
<p>Henry Martyn Saville - Minister-in-Charge, 1898-1906</p><br>
<p>Henry Martyn Saville - Rector, 1906-1907</p><br>
<p>Frank Dorr Budlong - Rector, 1907-1918</p><br>
<p>Robert Eliot Marshall - Rector, 1930-????</p><br>
<p>Burdette Landsdowne - Rector, 1944-????</p><br>
<p>R. J. Carlson - Rector, 1957-????</p><br>
<p>Thomas W. O. Mayers - Rector, 1991-2008</p><br>
<p>Cathy H. George - Priest-in-Charge, 2008-2011</p><br>
<p>James K. Githitu - Rector, 2011-2016</p><br>
<p>The W. T. Hutchens Building is a historic commercial building in Huntsville, Alabama, United States. A three-bay building on the corner of Jefferson Street and Clinton Avenue, the two corner bays were built in 1916 and the third built in a nearly identical style in 1921. It was built in the Early Commercial brick style, which departed from highly ornamented, vertically-oriented Victorian styles, instead emphasizing horizontal orientation by using strong horizontal courses and shorter, wider windows. It contrasts with the later Terry Hutchens Building, across Clinton Avenue, which is representative of later, again vertically-oriented Gothic Revival styles.</p><br>
<p>The two-story structure was built with retail space on the ground floor and offices and (in the case of the south bay), apartments on the second. The ground floor has large display windows which are modern replacements; originally, the corner bays were divided into two storefronts, separated by a sidewalk door leading to the second floor. Above the windows, the corner unit retains its original Luxfer prism windows, while the middle bays have been replaced with panes of regular glass. A wide band of decorated terra cotta separates the two floors. Upstairs windows are paired one-over-one sashes, with lintels made of brick with terra cotta blocks. A terra cotta cornice projects from the façade. The ground floor of the south unit has been modified with tall windows between heavy wooden pilasters. A wooden molding joins the corner units terra cotta molding, which together with a row of ashlar on the cornice gives continuity to the new and old portions of the building.</p><br>
<p>The building was listed on the National Register of Historic Places in 1983.</p><br>
<p>The Jude–Crutcher House  is a historic plantation house in Huntsville, Alabama. The house was built circa 1812 on land deeded that year to Samuel Echols. Echols sold 54 acres and the house to George Jude, Sr., in 1817. Jude died two years later, leaving the land to his son, George Jr. The younger Jude eventually acquired 800 acres  and owned 31 slaves. Upon his death in 1873, the land stayed in the family until 1883. In 1906 David Crutcher, who had been born a slave on an adjacent plantation in 1851, purchased the house and 154 acres  along with two other African-American men. The Crutchers operated a successful farm on their portion of the land, which was an extension farm for Alabama A&M University until the 1940s. Only 7% of African-American farmers in Madison County in 1910 owned their own farms. David died in 1924, and his wife, Lucy, died in 1943, although the house and land is still in the family.</p><br>
<p>The house is a -story dogtrot structure, although the central breezeway was enclosed in the mid-20th century. A plain gabled porch was added at the same time, and shelters the modern front door and a pair of two-over-two sash windows. Six-over-six windows of different sizes sit on either side of the porch, and the façade is clad in clapboards. The metal gable roof has chimneys in each gable end. The interior is of the typical dogtrot layout of two rooms flanking the now-enclosed central hall. A rear shed roofed addition was built to house a bathroom and kitchen.</p><br>
<p>The house was listed on the Alabama Register of Landmarks and Heritage in 1999 and the National Register of Historic Places in 2000.</p><br>
<p>The John W. Busiel House is a historic house at 30 Church Street in Laconia, New Hampshire. It was built in 1865 by John W. Busiel, owner of a local textile mill. It is now, as it was at the time of its construction, one of the finest 19th-century houses in the city, and is an excellent and little-altered example of Second Empire style. Since 1905 it has served as the rectory for the St. Joseph Roman Catholic church. The house was listed on the National Register of Historic Places in 1994.</p><br>
<h2>Description and history</h2><br>
<p>The John W. Busiel House is located on the north side of Laconia&#39;s downtown area, on the north side of Church Street opposite Beacon Street East. It is a -story wood-frame structure, with a mansard roof providing a full third floor in the attic level. Its exterior is finished with rusticated horizontal wood planking, with wooden quoins articulating the corners. The main facade is three bays wide, with the main entrance at the center, sheltered by an elaborate flat-roof portico. It is supported by paired round columns, with decorative brackets at the top beneath a dentillated projecting cornice. Windows are set in rectangular openings topped by dentillated projecting caps, and the main roof has a cornice with modillions and dentil moulding. The mansard roof is pierced by three dormers, each capped by a segmented arch with more dentil moulding. The central dormer is slightly wider, with narrow sidelight windows flanking the main window. A two-story ell extends to the right.</p><br>
<p>At the time of this houses construction in 1865, John Busiel was already a prominent local figure as the owner of one of its major businesses. The house, along with a carriage house and shed, were built at the then-high cost of $15,000. It is a relatively early example in the region of the Second Empire style, which did not reach wider popularity until the 1870s, and is certainly Laconias oldest surviving example of the style. The building originally had a cupola, which has (along with the carriage house) been lost. The house was occupied by Busiels widow until 1901, and in 1905 it was purchased by the Roman Catholic Diocese of Manchester for use as a rectory for the neighboring St. Josephs Church.</p><br>
<p>The Busiel-Seeburg Mill is a historic mill building in Laconia, New Hampshire, since converted into an office building known as 1 Mill Plaza. This -story brick structure achieved its present configuration in stages, beginning in 1853, and successively altered and expanded through the rest of the 19th century. The business, established by John W. Busiel in 1846, manufactured knitted hosiery, and was one of the first producers of knitwear to use circular knitting machines invented by Aiken and Peppers. The building was listed on the National Register of Historic Places in 1971.</p><br>
<h2>Description and history</h2><br>
<p>The Busiel-Seeburg Mill is located on the east side of downtown Laconia, between Beacon Street East and the Winnipesaukee River, which historically provided the mill&#39;s power. It is set between Laconia City Hall and the Belknap-Sulloway Mill, another 19th-century mill building. The Busiel-Seeburg Mill is stories in height, and is built out of red brick with a gabled roof. The main facade is nine bays wide, with a central projecting square stair tower, capped by an octagonal belfry with flared roof. Ornament is limited to brick corbelling along the cornices and gable edges, and on the upper levels of the tower, where there are also round-arch windows. Shed-roof dormers pierce the roof.</p><br>
<p>The mill was built in stages beginning in 1853, when the eastern portion (closest to the river) was built. Its construction is a contrast to the older Belknap-Sulloway Mill, in that it uses more fire-retardant construction methods, and that it represents several different stages of mill evolution through its repeated enlargement. The mill was founded by John Busiel (father of Governor of New Hampshire Charles A. Busiel) and produced knitted hosiery garments. It was one of the first area mills to use innovative circular knitting machines, and its success spurred the growth in the area of business that manufactured knitting needles.</p><br>
<p>The William Lanford House  is a historic residence in Huntsville, Alabama. The house was built by William Lanford, a native of Spotsylvania County, Virginia. Lanfords father, Robert, was an early land speculator who came to Huntsville from Nashville along with LeRoy Pope. William purchased 1,975 acres  in 1843 and built his house in 1850. Lanfords daughter, Mary, married physician John R. Slaughter in 1853, who later moved his practice to the house in William Lanfords later life. Upon his death in 1881, the land was divided among Lanfords daughters, with Mary and Dr. Slaughter remaining in the house. After Mary&#39;s death in 1913, the house was sold to William Olin Camper in 1919. Camper and his brother Robert were merchants in Madison and Huntsville, and owned the Twickenham Hotel in Huntsville.</p><br>
<p>The house is situated on 52 acres (21 ha) between Indian Creek and Cummings Research Park, in extreme western Huntsville near the town of Madison. It exhibits well-proportioned Greek Revival form, with a double-height tetrastyle portico and gently sloped gable roof. The portico base is of brick, with four boxed, tapered columns with Doric capitals. A balcony sits above the front entrance, which is surrounded by pilasters and an entablature, and topped with a Federal-style sunburst fanlight. Windows outside of the portico are six-over-six sashes with Palladianesque narrow sidelights. The interior has a central hall flanked by two rooms on each side. The walls of the front two rooms are built of multiple panels which can be folded up to create a large space for entertaining. A two-room addition off the northwest of the house, constructed in the mid-20th century, contains a den, bedroom, and bathroom, while an enclosed veranda sits off the eastern half of the rear. On the second floor, there are four bedrooms, and a deck over the veranda.</p><br>
<p>The house was listed on the National Register of Historic Places in 1994.</p><br>
<p>The Franklin Terrace Hotel is a historic hotel at 67 Harrison Avenue in Franklin, North Carolina. The two story stuccoed-brick building was built in 1888, originally to serve as a girls boarding school. In 1902 it began serving as a local public school, and in 1915 it was converted into a tourist hotel. The building is T-shaped, with a three-bay central pavilion projecting from the main rectangular block. A two-story wooden porch  wraps around this central pavilion, with massive square posts and a solid weatherboard balustrade.</p><br>
<p>The hotel was listed on the National Register of Historic Places in 1982.</p><br>
<p>The Graham County Courthouse is located at 12 North Main Street in Robbinsville, the county seat of Graham County, North Carolina. The T-shaped building occupies a prominent location in the center of Robbinsville. It was listed on the National Register of Historic Places in 2007.</p><br>
<h2>History</h2><br>
<p>The first Graham County Courthouse was constructed in Robbinsville in 1874, but its floor collapsed two decades later while the building was packed during a murder trial. A replacement, built in 1895, was the last wooden courthouse built in North Carolina. The third and current building was completed in 1942.</p><br>
<p>The current courthouse is a Classical Revival structure designed by Barber and McMurry of Knoxville, Tennessee. It is fashioned from stone reportedly gathered in the Mill Creek area about 2 mi southeast of Robbinsville. The building is one of three North Carolina courthouses built with funds from the Depression-era Works Progress Administration.</p><br>
<p>The Elbert H. Parsons Law Library  is a historic commercial building in Huntsville, Alabama. It was built in 1913 by the May and Cooney Dry Goods company to replace their building which was destroyed by a fire in 1911. The store occupied the building until 1931, when they went bankrupt due to the Great Depression. J. C. Penney moved into the building in 1934 and remained until 1966, when it moved to "The Mall" on University Drive. In 1973, it was purchased by the county and renovated to house a public law library.</p><br>
<p>The building is a three-story structure with the façade faced in white glazed terra cotta. The street level has a large arch, decorated with a line of bay leaf clusters surrounded by alternating green and red blocks. The inside of the arch was converted from a storefront to large glass panes with a single central entrance in the 1973 renovation. The second and third floors each have five one-over-one sash windows, with the third floor windows slightly smaller than the second. The building is topped with a projecting course of bay leaf garlands, a set of five colored panels in line with the windows, and a corbeled cornice with several rows of geometric designs.</p><br>
<p>The building was listed on the National Register of Historic Places in 1980. The person for whom the building was ultimately named, Elbert H. Parsons (1907–1968), was a Huntsville-based judge of the Alabama Circuit Court.</p><br>
<p>The Little Missouri River Bridge, also known as the Nachitoch Bluff Bridge, is a historic bridge between rural southern Clark County, Arkansas and Nevada County, Arkansas. Now closed to traffic, it once carried County Road 179  over the Little Missouri River. Believed to be built in 1910, it is the only known Camelback Pratt truss bridge in the state. Its main span measures 185 ft, with a secondary Pratt truss span measuring 110 ft in length, and there are I-beam-supported approaches on either side, giving the bridge a total length of 315 ft. The bridge is located on the historic route of the Natchitoches Trace, an early colonial French-Spanish trail through the area.</p><br>
<p>The bridge was listed on the National Register of Historic Places in 1990.</p><br>
<p>The US 67 Bridge over Little Missouri River is a historic bridge carrying USA Route 67  over the Little Missouri River, the border between Clark County and Nevada County, Arkansas. It consists of three steel Parker Pony trusses, with a total length of 1,161 ft. Built in 1931, it is one of only seven surviving multi-span Parker truss bridges in the state.</p><br>
<p>The bridge was listed on the National Register of Historic Places in 2007.</p><br>
<p>The McNeely Creek Bridge is a historic bridge spanning McNeely Creek just outside Beirne, Arkansas, a village in southwestern Clark County. The bridge, a steel Warren pony truss bridge with a span of 71 ft, carries County Route 12. Built in 1923, it has a wooden deck 18 ft wide.</p><br>
<p>The bridge was listed on the National Register of Historic Places in 2004. It was delisted in 2022.</p><br>
<p>The Mason Building is a historic commercial building in Huntsville, Alabama. It was built by the owners of Masons Furniture, which was founded in 1908. In 1927, they built a new building which they intended to lease to other tenants. It was designed to be built in stages, and be up to five stories tall, but only the first two were ever built. Sears Roebuck began leasing the building in March 1929, at which time a mezzanine and elevator were added. Sears left Huntsville in 1931 in the midst of the Great Depression, and Masons moved their store into the building. The company operated until 1977; since then, the building has housed a number of businesses, including a pub.</p><br>
<p>The façade is clad in terra cotta tiles, with piers at the corners extending above the cornice. The ground floor has large glass panes and a recessed central entrance. A terra cotta band painted with a wave pattern separates the ground floor from the mezzanine-level windows, three in each bay. The mezzanine and second floor are separated by stepped rows of tiles, a wider band which originally featured a scalloped molding with a bell design, two rows of dentils (small then large), and a cornice. The second floor is divided by two wide piers, with two multi-light casement windows in the outer bays and three in the middle. The simple cornice and piers extending above it are a by-product of the intended five-story design being cut short.</p><br>
<p>The building was listed on the National Register of Historic Places in 1980.</p><br>
